Red dominates the scene — intense and visceral. It expands across the surface with determination, interrupted by white and black areas that balance its chromatic force. The gesture is stronger, more physical. There is an urgency in the form, as if the paint had been placed with an accelerated pulse.
This painting represents the moment when the body beats before the mind. In Inhala, there is no narrative, but there is rhythm. The red is not emotion: it is impulse, vital energy. This piece brings us back to the raw state of existing — pure pulsation, breathing, being.
