A more intense texture begins to occupy the space. White remains, but now it dialogues with a dense ochre stain, almost earthy. Small red and gray marks appear quietly, like distant echoes. The surface reveals layered material suggesting matter, time, and body.
Here the present begins to take shape, as if the instant were becoming aware of itself. Inhala manifests like a slight tremor: perception grows vivid yet remains uninterpreted. This painting is a bridge between absolute stillness and the first emotion — a nameless presence, alive and immediate.
