Felipe Peña is currently working on Inhala, a radical exploration of the present moment. In this exhibition, he invites us to suspend the narrative, to let go of memories, learned emotions, longings, and future projections. To breathe. And to inhabit the pure instant: that point of awareness in which one simply is.

Each piece in Inhala suggests an original gesture, a trace without history. Through abstract compositions, raw textures, plaster, acrylics, pure colors, and fragments of press like echoes of a world barely touching the surface, the artist proposes a kind of visual meditation. The goal is not to understand, but to feel — from that place without memory or judgment — as if we were seeing the world for the first time.

Felipe Peña lives and works in Bilbao, where the river, with its constant flow and quiet presence, becomes a natural source of inspiration. His artistic references are drawn from abstract art, expressive gesture, changing nature, and physical activity — especially running — as a tool for opening internal questions. Questions that do not always seek answers, but new ways of seeing.

In his practice, art is a form of study. A way to unravel the movements of the subconscious, to translate into matter what cannot be named, and to create open experiences for those who pause to observe.

And today, in this vital moment, Felipe is in a stage of creative and personal reinvention, searching for new paths that allow him to reach greater emotional independence. His work thus becomes an exercise in joy, freedom, and possibility, where each stroke is a celebration of the present and an invitation to create new versions of oneself.

About the work

The pieces that make up Inhala are built on a material and visual investigation in which Felipe Peña explores the limits of abstract gesture. In one of the featured series, nine framed compositions engage in dialogue through the use of plaster, acrylic, and fragments of press, creating dense textures that seem to break through the surface of the paper. The vibrant red contrasts with neutral backgrounds, generating a nearly physical tension. Repetition is not redundancy, but rhythm: each piece is a unique moment in the collective breath.

In another work, a large canvas receives splashes of white and pink paint in a gestural and spontaneous act reminiscent of action painting, but without aggression: here, there is a contained energy that manifests fluidly, without imposition. The paint seems to have fallen, floated, bounced — as if the moment had been captured at the exact second of its birth. The result is an emotional cartography of the now, a living surface that invites you to get lost in its accidents.

These works do not aim to narrate, but to provoke presence. They are not made to be deciphered, but to be felt, inhabited. Inhala is an active pause, a stop along the path where each texture, each line, each mark brings us back to the only place that truly exists: the present.

The arrangement of the pieces does not follow a storyline or narrative progression. It is intentionally uniform, repetitive in its visual pulse, like a constant meditation. Thus, the viewer does not move forward, but remains. Does not interpret, but breathes.

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